Following the recent completion of my Principle of animation project I am beginning a new project for my animation and illustration foundation degree at Newcastle college. This new project is titled 'Sequential Images' and is designed to provoke and challenge my illustration skills to create a triptych set of illustrations that conveys a short scripted narrative.
This will
challenge me to consider technique, approach, style, composition, colour, panel
relationship, visual conveyance, other elements to device the most appropriate
and impactful sequential I can to convey my designed narrative. As a starting
point for this project my class and I have taken a field trip to the Hancock
history museum in Newcastle Upon Tyne seeking visual stimulation and
inspiration for the narrative we are to device.
Whilst at the history museum we are tasked with locating a minimum of 3 objects in history that we are challenged to script a 3-part story that will serve as the written blueprint for my triptych illustrations. The story must outline a journey of how that object came from one place and ended up in another. This can be how it ended up in the museum, but it doesn't have to be.
During my visit
to the museum I came across multiple artefacts depicting many cultures from Ice
age nomads, to Ancient Egyptians, to Roman forts to African tribes, to even
ancient china. All these cultures provided a wealth of inspiration and history
can could inform the concepts of my work infinitely. After much exploration,
note taking, and photography I identified four objects that I was keen to move
forward with and script narratives for. These objects are:
A copper alloy mirror & A stone carver fishing charm
Hunk of Amethyst & Clay charm necklace
The copper
alloy mirror was found at the site of a Roman fort that was build amongst the other
forts manning Hadrian’s wall. The stone carved fish charm was used to grant a
hunter luck when journeying to gather food for their family in the Ice age. The
chunk of amethyst was found in Corbridge in the 1800s by an unknown individual.
And finally the clay charmed necklace was to be worn only by a specific kind of
priest or royalty in ancient Egypt due to the nature of its representation
witch a specific god.
The next stage
in my project is to consider, develop and script a story out for each of these
items that I can use for the purposes of conveying narrative through sequential
images. In the following posts I shall be giving you weekly updates via this
blog demonstrating the process and inner thinking’s that I have and the ways in
which I respond to stimulus and research throughout.
Thank you for reading!
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